Travel

Black Florentine - Buenos Aires - Currency - Non Capisco - Flowers - Three Blossoming Sextets

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Black Florentine

I don't pretend to know what they know: the darkened street, the grubby sale, the things they’ve had to do to survive.

I don't intend to thrive on borrowed tales of Victorian subterranean Baudelaire

transposed on African skin — Beware! Beware! His Nubian eyes, his Rasta hair! —

to shock and excite the suburban tourists in search of things they cannot know.

All I can say is that I saw them in the park:

furtive groups hiding from the carabinieri, and in the streets selling bangles and scarves.

All I can say is that amid all the chaos — Darfur refugees and the endless murk of Congo —

here in Florence I remain entirely in the dark.  

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Buenos Aires, 9th of July, 2011 

On the corner of Córdoba and the 9th of July, you can be forgiven for thinking that the world's a stable thing, that sophistication and the wide boulevards of St. Germain and Fifth Avenue, will always lead to prosperity and art.

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The Two Towers may fall, and Mordor may increase its holdings, but Zurich and Buenos Aires will prevail. Castro and the Taliban can do their worst. Who wants to wear their baggy clothes and preach their worn-out doctrines when you can watch the girls go by on the corner of Córdoba and the 9th of July?

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Currency

In the dust and ruin of the ancient civilizations, where entire economies collapse and dirhams and rupees fall into a treardrop pond of infinite zeros, the tourist rises from his cab, like the Canadian dollar, and strolls into the bazaar. 

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Non Capisco Più Niente  

When I was young and first began to travel, I thought that one day, if I kept travelling I'd become a polyglot. But now, forty years later, surrounded by the beauties of Campo de' Fiori, I find that I'm not. I thought that if I travelled widely I'd encompass the world; that its riches and its deepest secrets would be unfurled before my staggered eyes. But now, forty countries later, I just look at the girls.

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Flowers

Think of these flowers, their perfect shapes, and their chaotic yearning; how they emerge from the centre, from the sap of life, from the roots and branches of time; how the purple swells outward into space along a sidewalk of two thousand years in Agrigento, Sicily,

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luxuriant, decadent, unbuttoning their buttons, popping from the sweet sad passion of blue and red, out from the green stem, like love blossoming on a perfect day.

In dimensions unknown to us, flowers mate and open their beauty to every wandering Jack and Jill, who are so busy going up their hill that they forget to smell the roses, until their souls lift from the earth and it's too late.

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Three Blossoming Sextets

It’s May 8, 2024, and I’m sitting at a cafe

in the city of Bath, on the first warm day

of Spring, halter tops, tiny gym shorts, and midriffs, 

hopes and delusions, barely covering my buts and ifs.

A strap of the pinkest cotton topples over a white shoulder line,

five decades past the Underwear Revolt of Nineteen Sixty-nine.

Feminism and all that might be OK

unless they’re in fact trying to say

that no woman wants to be an object of male desire

and that their beauty has never made a man into a liar.

In fact, both of these things (pink straps and eyes) are as natural as breathing

to both, that is, to women no less than to men, no less than poets to dreaming.

Alyson says this is lecherous and strange,

and I’ve missed the point of political change.

I shouldn’t talk so knowingly on Kingsmead Square,

and I should try to make a concerted effort not to stare.

But then the grips of her bra slip silently down the milky-white contours of her ample tits,

the sap flows into my brain (which is thinking about her other parts) and blows my mind to bits.

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Next: La Bellezza

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